Julie Delpy Filmes

In the winter of 1943 two young Jews, Alek and Fryda, escape, via sewer tunnels, from the atrocities underway in Warsaw ghetto. Alek, entrusted with...

A science-fiction film centered around planet Earth receiving a coded message from outer space and the subsequent disappearance of 12,000 inhabitants...

Part 6 of Godard's 8 part examination of the history of the concept of cinema and how it relates to the 20th century

Lili is training in Hollywood to be an actress. She falls in love with the window cleaner of her hotel.

A documentary that takes a look at the production of BEFORE MIDNIGHT. As the film starts, Richard Linklater, Julie Delpy and Ethan Hawke are sitting...

Couple is a cinematic series of portrait films, which show two persons, who free to do what they wish, in a fixed camera shot of 3:20 minutes.

Before the End responds to the ethos and fanbase of the Before series while considering the impact of the pandemic on filmmaking, films, fans and...

A period drama about the pioneers of old Hollywood.

BEST TRILOGY

Is there such a thing as strictly feminine cinema? Is it more difficult for a woman than for a man to direct a film? Is gender parity necessary in...

When Éric and Marie go to meet their parents at the harbor for the holidays, the latter are victims of an overnight hit-and-run. Marie hides...

Mark Feinman knows he’s going to be big in show business…it’s just a matter of time. In a flash of inspiration he decides to tour...

Al has invited a few friends over for a barbecue to celebrate V’s birthday. The party atmosphere changes when Al realizes that her boyfriend...

Without warning, Mélie disembarks on the cargo ship where her father has the sailor's blues. He remembers his drifts and his friend Max who...

Peter Beard: Scrapbooks From Africa and Beyond is a colorful and definitive portrait of a man of all seasons, a man in love with people and places, a...

A new piece in which Linklater and actor-cowriters Julie Delpy and Ethan Hawke discuss the trilogy, moderated by critic Kent Jones.

Reel 38 of Gérard Courant’s on-going Cinematon series.