Vivian Ostrovsky Filmes

A trip to Russia by two filmmakers in 1990, forms the bulk of this twin-screen projection, finished some 9 years later; Their super-8 footage mixed...

This video was made for an exhibition in Rio on Paulo Werneck, one of Oscar Niemeyer's collaborators. Werneck was the first to introduce mosaics in...

"Readings. A place. Purity of lines. Fine angles. Dominance of whites and blues. Fragility of tapered glasses." A visual evocation of the writing of...

Funny collage of sea, sun and ice. A show from the beach with skiers, tigers, mermaids and much more.

USA + USSR = USSA. My film is about blurred boundaries, probably due to my own personal history. I was born in New York, to Russian and Czech...

"A sketch on skis - in memory of my father, an urban snowman [...] December 2012"

The film is a travelogue of sorts. Ostrovsky’s personal family footage meets the archives of Soviet propaganda footage. The result is a kind of...

Based on a correspondence between Brazilian artist Ione Saldanha and the filmmaker, this portrait was made for an exhibition at the MAM (Museum of...

A fragmented tribute to Ukranian-Brazilian novelist and fashion journalist Clarice Lispector that interrogates the idea of 'in-betweenness', the...

A month in the country. In summer, a group of friends rent a house in southern France. People come and go, making their way through chickens, dogs...

With a super 8 camera from Paris to Berlin, from Amsterdam to Rio, from Jerusalem to New York shooting only at night. Hungarian crooners, Indian...

An observation of humans' and animals' table manners as they gulp down breakfasts, lunches, cocktails and dinners in a variety of situations.

Starting out with super 8 reels of Paris catwalks I shot in 1979/1980, what was supposed to be an experimental short on couture culture turned into a...

Portrait. She dances in the center of her area. Obscure to the look. She abandons us to her limit. Turn. Count the chips. Conjugate. Turn on...

Composed of fragments from over 25 films dating from the 1920s to the 90s. A faced-paced, heart-pounding cinephilic farce.

An intimate film made on the occasion of the 30th anniversary of Vivian Ostrovsky's father, Rehor Ostrovsky’s death. The film is pasted...

A Russian can say, “I hear the smell…” A maestro has a vision of what a symphony should sound like. In a silent film how can one...

Statues of dictators fall in the wind of history, a very pissed off Silvana Mangano is surrounded by scenes involving Charlie Chaplin or Harold...

A new short film by Vivian Ostrovsky remembering Chantal Akerman, beginning with their first meeting in the early 1970s. Using her own footage of...